It became a turning point in the evolution of the vampire. attributes for the image of the vampire in readers’ consciousness. The novel “Dracula” written by the Irish writer Bram Stoker set a large part of. From the monster of folk narrative the image of the vampire entered literary culture at the beginning of the 19th century when writers of the age of Romanticism sought material for their work in folk tales. The theme of the article is evolution of the popular folklore image of the vampire in world literature. These functions of dream narratives, it further suggests, might have meaningful implications for the analysis of dreams and other metafictional narratives in Islamicate literature. It argues that dream narratives operate in two ways in Jog Bāsisht: they prove that storytelling creates reality, and they undermine the authority of the eyewitness as a reliable narrator. narrator, Basisht, in the story of King Lavan’s dream, this article seeks to investigate the ways in which metafictional narratives are structured and employed in the didactic setting of the treatise. Examining the metafictional devices used by the. The text in its Persian translation has been investigated thus far mostly for its metaphysics and theory of spiritual liberation in comparison with its Sanskrit source text. This article explores the literary theory of fictionality that emerges from Jog Bāsisht, the 1598 Mughal Persian translation of the Sanskrit treatise Laghuyogavāsiṣṭha.

Koveru kazhuthaigal pdf